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"He was famous for having these highly imaginative canvases but then also for getting all of the technical details right, which does a space history curator's heart good. It's so dynamic and colorful," says the curator. In it, he wrote that the goal of his "Space Mural" is "to inspire in those who view it, a sense of awe in the majesty of the universe, a feeling of pride in man's achievements in space, and a profound optimism about the future."Īccording to Weitekamp, the mural continues to meet McCall's measures for success. The document provided some insight into McCall's intentions. Margaret Weitekamp, curator in the museum's space history division, was able to show me the proposal for the mural that McCall submitted to the museum in 1975. He had such wide range as an artist-making everything from patches worn by astronauts and 21 space-related postage stamps, to the six-story mural at the Air and Space museum, which he painted over the course of eight months in 1976. McCall attended every major shuttle space launch for decades and was praised for his futuristic views of space, and how they pushed space exploration forward. In his 60-year career, the prolific artist produced more than 400 paintings. (I bet he was pleased when sci-fi author Isaac Asimov once described him as the "nearest thing to an artist in residence from outer space.") And one of his most visible projects might have been the advertising posters he created for director Stanley Kubrick's 1968 cult classic "2001: A Space Odyssey." His interest in space came from an early interest in science fiction. McCall's career really kicked off in the 1960s, when he illustrated for the Saturday Evening Pos t, Life and Popular Science. Last Friday, the 90-year-old artist suffered a fatal heart attack in Scottsdale, Arizona. Painted over the course of eight months, it was completed in 1976 and spans an amazing one hundred and forty six feet across and stretches six stories in height on the right side making a unique L shaped. It is painted on one of the south lobby walls of the National Air and Space Museum, in the Smithsonian in Washington, DC.
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One that stands out in the greatest form is, The Space Mural A Cosmic View. But the sad news of McCall's death is spreading throughout the air and space community. Robert McCall was quite possibly most well known for his murals. "The Space Mural - A Cosmic View," as the painting's called, has become an important piece in the museum, and its maker Robert McCall, one of the world's best space artists. Visit the Apollo to the Moon gallery and you'll see the original space suits worn by Neil Armstrong and Buzz Aldrin on the Moon. Peer around the corner and you'll see an actual Apollo lunar module. The sprawling mural is a preview to what awaits. And to his right, is a lunar rover and the Apollo lunar lander, its gold foil glimmering. To the astronaut's left, is the artist's swirling depiction of the Big Bang Theory on the creation of the universe. In its center, a fully suited Apollo astronaut gazes out at museum-goers, lunar dust suspended in the air around his boots. While St+Art India’s experiments are evidently rooted in social activism and urban design, they mark a significant moment in the historic timeline of the application of street art in cities: the initiative involves what it believes to be a first-of-its-kind engagement between street artists and the government.Just inside the entrance to the National Air and Space Museum is a multi-story mural. Primarily working within residential neighborhoods-they are touted with the creation of the country’s first public art district in Lodhi Colony, Delhi-the foundation has also collaborated with metro-rail corporations to enliven transit-spaces. The organization’s recent work in the Indian metropolises of Delhi, Mumbai, Hyderabad, and Bengaluru, has resulted in a popular reclamation of the cities’ civic spaces and a simultaneous transformation of their urban fabric. Last month, ArchDaily had an opportunity to speak with Akshat Nauriyal, Content Director at Delhi-based non-profit St+Art India Foundation which aims to do exactly what its name suggests-to embed art in streets. The Origin of the World by Borondo, Lodhi Colony, Delhi. Sustainability and Performance in Architecture